How to sew curved hems!

I thought I knew how best to sew a curved hem but hey, there are more ways than I realised. The aim is to fold up the longer raw edge (i.e. longer than the stitching line) and sew the hem without getting puckers, wrinkles or pleats.

I found this YouTube video by Prof PIncushion (Link here) showing three different methods.

I very much recommend the suggested machine-basted stitching line (that's the one with the really long stitch length) because it makes pressing over the seam allowance a lot easier. You will get a more even distance from the fabric edge to the fold line that will look a lot better than eye-balling while pressing. It is such a pain when you have to repeat ironing after a first attempt looks frustratingly wobbly. Folding the fabric over at the basted line is easier because of the perforations in the fabric: it's almost as if the fabric wants to fold along that line. Highly recommended.

When you work with a thickish wool fabric then a high iron temperature and plenty of steam will shrink the fabric a bit so you can get the raw edge to reduce to the smaller measurement. That's what I did: baste, fold over and press and then press and shrink. But you can't do that with all fabric fibres. You need a different method for other fabrics.

I would be inclined to go with the first method Professor Pincushion shows but baste two lines: one as she describes, and a second one for where I want to fold the fabric over. This saves on the time it takes to measure and mark the fabric as per her demonstration. The bit I learnt from this video is her tip to pull at the higher up basting stitch line in those places where your fabric won't lie flat enough - to ease it in. That's really useful!

The rolled hem also sounds useful but to be honest I wouldn't have the patience for trimming the seam allowance as shown. Instead I prefer baby hems, particularly with light-weight fabric. This works best if you can overlock (serge) the raw edge. I machine baste at a folding line at a distance of about a centimeter away from the edge, and then overlock the raw edge. Then I press the fabric over once. I then edge-stitch the hem two centimeter from the folded edge. This leaves a very narrow seam allowance and keeps the hem nice and drapey. This can be lovely for the hems of flutter sleeves. A edge that's been folded over twice could be too stiff.

I also like the third method of sewing a ribbon to the hem, either on the right side as a decorative feature or on the inside. Either would give a skirt hem a nice bit of weight. A variation of this method is to sew on a ribbon onto the outside to diguise your top stitching. Ribbon or braid can be placed at the edge or even a bit higher up for a very attractive feature. You may want to use the same ribbon or braid elsewhere in the garment to tie it all together.

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And here is another YouTube video by JOANN Fabric and Craft Stores (Link here).
 

 

I really like the look of the rolled hem. This method will probably strike you as needing too many basting lines that you need to pull out at the end - but just look at the neat result!  I think this makes it well worth it.

The bias facing method is also really impressive. It takes a bit of trial and error to figure out how much to pull at the bias strip to get it to the right tension. I would be tempted to pull a lot less than the word 'pull' suggests - just lay down the strip and smooth it to lie flat along the middle of the strip length (where you'll sew) as opposed to at the very edge. It is a touch annoying that you have to trim this down, but the sewn edge makes for a useful guide. I'm all for top stitching this instead of hand-sewing a blind hem. On the other hand, a thicker wool type fabric is quite forgiving and easier to hand sew, giving a really beautiful result.

The bias binding method takes more preparation for pressing the bias tape as described. The technique that I found handy involves a darning needle stuck into your sewing board cover at both its ends, as a "gate" to pull the flat tape through and press. This preparation will make sewing the strip onto the hem a lot easier. The suggested stitch-in-the-ditch method takes quite a bit of practise (you can also see how slowly she stitches). I must say that I am not hugely fond of the look you achieve with this method, I prefer a ribbon over binding or the above bias facing that will put the bias strip onto the inner side, making it invisible. I find that this looks a lot more grown-up, the binding method reminds me of kids clothes, but that's just me.

So there you have it!  Six different methods (seven if you count my baby hem method that I snuck in there), something to try out when you're not happy with another method. You'll find that the fibre and the weight of your fabric will make some of these methods more useful than another. Go and experiment!

If you are very new to sewing and find all these rather overwhelming then I recommend the first method Prof Pincushion describes (just with two basting lines). Or baby hems when you have an overlocker stitch available and need a really drapey hem for a thin fabric.

Wealth of Experience: Sewing Tips

A post of tips - anything you wish someone had told you when you started to sew, that you figured out yourself since!

Machine stitching
If you're new to sewing with a machine and you find that your seams are wobbly: keep your eyes on the edge of the fabric as it goes through under the sewing foot. I remember that when I first started I stared at the machine needle - but looking at the fabric edge gives you a more even result.

Take it slow
It is so tempting to race through stitching something together but puckers and slipped layers are very frustrating. Take it slow when sitting at your sewing machine: check that all your layers are lying flat and that no fold of fabric got in the way. Particularly when sewing in sleeves...

Sew shortest seams first
When you have a narrow collar or buttonband, or any similar pattern piece, that you need to sew to something at its narrow end - sew those seams first. If you leave this until after you sewed the longer side, it is incredibly difficult to get the angle right. The narrow end is likely to slope in one direction or other and will be too long or too tight. As a result, the garment will look less well sewn.

Sew onto flat pieces first
I did a blog post about this one. It is easier to attach pieces like a patch pocket, a pocket flap, collars, etc... to a pattern piece when it is still flat and hasn't been sewn to many, if any, other pieces. The sewing instructions that come with your pattern may have you do these kinds of pieces last but that makes it more difficult.
After all haute couture does a lot of construction in flat pieces and only pulls it all together right at the end.

Zipper length
If your sewing pattern specifies a zip of say seven inches but you can only find one of eight inches or longer, don't despair: get the longer one.  If the difference is only one inch, you can let that dangle inside (easier to sew in as well!) and if longer than that then stitch the zip teeth together tightly on the inside and cut zipper off below. Worse like a charm.

Pinning a concave and a convex piece together
Put pins in perpendicular to the fabric edge but don't align the edges of the fabric pieces. The longer outside curved edge will need to pucker a little at that edge to make sure that the stitching line (the seam allowance's distance away from the edge) of both pieces gets pinned together smoothly. You can get the fabric pieces to come together flat at the stitching line when you hold the layers between a finger and thumb (at the stitching line) and make sure they are smooth and flat to the previous pin. It takes a bit of trial and error but you'll get there!

Double-folded hems
These are really tricky. Mine often produce these slight diagonally dragging lines from the folded edge to the stitching line - because one of the fabric layers shifted away from the other layer. Basting the hem may help; you can try a walking foot; or at the very least using lots of pins! Set thepins into the fabric perpendicularly. If you still have problems: do baby hems instead!

Baby hems
Try these instead of double folded hems. You need to serge/overlock the edge of your fabric to be hemmed. Then machine baste along the line where you want to fold the fabric up (before folding it) - this is using the longest straight sttich on your machine. Then fold up and press the hem with your iron: the fabric will fold easily at the machine basted/stitched line. It works beautifully!  Once you have your hem pressed, stitch at a suitable distance from the folded edge from the right side. Experiment with how deep you want your hem to be or if you literally only want to fold up the serged/overlocked edge and top stitch very close to the edge (which is then called edge stitching)

Use a tailor's awl
When it is tricky to sew over the bit where one fabric layer has a seam (you get loads of those when sewing patchwork!), then use a tailor's awl to hold the seam allowance down so you can sew smoothly over this bit. A tailor's awl is a straight spike with a handle at the end. It saves your fingers from going too close to the machine's needle. Don't use your fingers too close to the needle, it's not worth it.

Pulling pins before stitching
It is tempting to sew over the pins where they hold the fabric layers together. It is safer to pull each pin as you approach it. You can either stop stitching to remove each pin, or if it is a long straight seam and you're going slow, you may be able to remove pins before you get too close to sewing over them (and before the screw at the side of the machine foot comes plunging down onto your poor fingers). If your needle ever hits a pin straight on, the machine needle can break at the neede's eye and the pointed end will fly off at a high velocity. You really don't want it ending up in your eye, take time to pull the pins instead. Much safer.


What tip would you give yourself if you could go back in time?  Please post in the comments!

Work on flat pieces first

So you're faithfully following along the sewing instructions of your pattern and then it suddenly becomes incredibly difficult to get your project under the machine's needle so you can work on a really tight area?  It's enough to give you grey hair!

Been there many times and I hate it.  Some commercial sewing pattern instructions seem determined to make things as difficult as possible.  Unfortunately these difficult to sew areas then make your garment look home-made rather than beautifully crafted.

Here's a principle that cuts down on some of those problem areas:  If in doubt work on the flat piece first.

Plackets, zips, pockets - what's the point of closing the long easy-to-do seams first and then do the fiddly bits?  I just don't get why some sewing instructions do this the difficult way around.

You don't need to stick to the order suggested.

Look at what features your garment has: double-ended darts, zip, plackets, pockets, pocket flaps, collar etc, etc? These are really nice sewing exercises (as long as you don't let the instruction sequence make your life more difficult).

Once you've cut out your pieces and overlocked what needs overlocking* - do all darts first before you sew anything else. No side seams, no nothing else. The sewing instructions usually start with this too, so no problem here. (The only exception I can think of is if a dart needs to meet another dart exactly: then it is much easier to close the seam first and sew the two darts as one across the seam. Anything to make life easier!)

*: But sew darts that end in a seam before you overlook the piece: less bulk when you take a single pass with your overlocker over the sewn up dart avoiding three layers of overlocking.

I used to hate having to do zips, now I like them more and more.  Sew them in first!

Don't even close the seam underneath yet (a lot of YouTube videos show it this way too so you're in good company), sew the zip onto both pieces and once you're happy with it close the seam underneath (make sure to off-set this line by a millimeter or so to avoid the pucker at the bottom of the zip).

Same thing for plackets on sleeves: sew them in before you attach the sleeve or close its side seam (a very good placket article on Threads shows it that way too).

Patch pockets: why go to the trouble of working on an almost assembled item when it is so much easier to sew a pocket onto flat fabric. In-seam pocket bags are also easier to do before you close the longer seams: a) attach a single pocket piece to one outer piece and b) the other pocket layer to the other piece - then c) sew the pocket layers to each other, and d) close the seam of the outer garment above and below the pocket opening.

I would attach a collar as soon as the shoulder seam is closed, before any other seam stitching.

Depending on the shape of a sleeve it can be easier to sew the sleevehead to the front and back of the garment before closing the side seams of body and sleeve - this is easier for wider, more relaxed styles. Sleeves that are quite tight and where the sleevehead needs to be eased into the armhole are better done after closing side seams.

Flat pieces are easier to manoeuvre and allow better accuracy. They are also easier to press (best sewing tip ever: press, press, and press again!).

Once you have these kinds of elements done, the rest of the garment is much easier to assemble: nice long seams that pull everything together. After that you are left with things like neckline bindings and hems that need to be done across all closed seams.  Couture houses work this way too: everything is done flat until only the long seams and hems are left over,

What do you think?  Is this useful?

Ham, Sausage, hold the Egg

Hello everyone,

No you’ve not accidentally stumbled upon a foodie blogpost, I love my food but I'm not talking about that kind today, haha…. Ham means a whole different kind of thing to anyone who does any kind of dressmaking, as the tailor's ham and sleeve roll are important pieces of kit in the sewing arsenal, aka, the ham and sausage/sleeve roll.  Here are mine…

They are essential for pressing out seams properly. The tailor's ham is used on curves such as darts, sleeve heads and princess seams;  to get to the seams inside sleeves, the sleeve roll. They're available to buy ready made, but me being me, I had to make my own. If you'd like to do the same here's what I did. 

They’re a basic egg (or ham!) shape so you can draft your own but I decided to use this one by Doja

http://blog.elewa.co.uk/ham-sausage-challenge/

I added a seam allowance to this template.

They are traditionally made with two types of fabric, one side is wool and one side is cotton for the ironing at different temperatures and fabric types, then they are STUFFFFFFED with sawdust until they are as firm as you can possibly make it. Some tutorials out there use fabric scraps but the sawdust is the traditional version as it helps with the firmness and the moisture from the steam but your choice.

I used a wool tweed and some scrap curtain lining from my stash but choose whatever you want. Do avoid synthetic fabrics and mixes so that you can iron at high temperatures as necessary.

I cut out an additional layer for the inside as a precaution of any sawdust leaking out, so for mine I cut 3 in cotton and one in wool. I sewed it up in two separate layers then put one inside the other, but if I did it again, I would sew all four layers in one go; I added a hanging loop too.

I used wood shavings intended for pet bedding, I bought mine from Wilko, 50p for a small packet and used the whole lot.  Some people use sawdust from DIY or timber merchants, but personally I wouldn’t because I think they cut MDF and the dust would be all mixed up. MDF dust is not safe due to the fine particles and the toxic factor from the glue. (MDF is basically wood particles glued, compressed and re-cut, think of it as the wood equivalent of burger chain fries)

It’s a MESSY job and was more tedious than I had thought it would be so be patient. You stuff it bit by bit and then squish it down as you go, bashing the sides to compress it sideways.

I did this in the garden, in a wide plastic container to reduce mess and rolled up a funnel out of card which I inserted into the ham and poured the shavings into the funnel from the packet. This proved to be the least messy way compared to spooning it into the funnel or directly into the ham/sausage. Sorry for lack of pictures but I got engrossed into the stuffing and thought it not a pretty process. Stick the funnel together and not do as I do, I had to roll it up after each time I put it down…

This is where I would advise against sewing the two layers separately as I got sawdust in between the layers and got little lumpy bits, which were a pain to get out,  otherwise I would not have the nice smooth surface I needed for ironing… sigh, live and learn! The funnel helps direct the sawdust aswell, I think using the spoon got it between the layers. 

Stuff. Bash. Stuff. Bash. Keep compressing the stuffing down, in hindsight I should have done more side bashing aswell as the poking down on the ham as it's not quite as firm as the sausage. Once stuffed all the way, I stitched the opening by hand and stuffing more into it as I closed it up. The thing compresses more as you use it so the harder and fuller you can make it, the better. 

If you decide to have a go, here's a summary of my tips.

1. Use pet-bedding for stuffing
2. Use four layers and sew them all in one go to avoid getting the stuffing in between the outer and inner shell. The additional layer also gives a slightly smoother surface I think.
3. Use a funnel to help with the filling. Roll some paper or card into a funnel shape and stick it together
4. Compress the stuffing as much as you can. Bash the thing against the table or use a wooden spatula (or any other kitchen implement!) as you go.
5. Stuff up until the last stitch, there is always room for a wood shaving more

The whole make took a few hours from beginning to end but I like mine as they’re a bit bigger than ones you can buy. I think you may not need to add seam allowance to the sleeve roll, it might be a bit big if you decide to make any slim sleeves for knits or perhaps children's clothes.
I hope you find this post useful if you decide to make your own.  If you don’t, well, you’re probably putting your time to better use making a beautiful garment instead of stuffing and bashing these odd looking things…

Happy sewing everyone 😊

Getting to grips with an unfamiliar sewing foot

Do you use more than a couple of the sewing feet that come with  your machine? I must admit that I didn't.

The walking foot on a Janome sewing machine

I swapped the standard foot with the walking foot (also known as a even feed foot or dual feed foot) for most of my straight stitching: preventing slippage of one fabric layer is a wonderful thing!  I don't miss the standard foot at all.

I also use my zip foot for sewing in zips, obviously, - this tends to be the only thing that I remove my walking foot for.


But I didn't use all these other sewing feet except for trying out the blind hem foot (which works fabulously!) - the other day I was thinking about why.  I have a feeling that I somehow thought that I should be able to do all kinds of things with just these two feet, almost as if that was some kind of challenge.  How silly!

The other reason is likely a fear of a bad experience, that trying would make me feel very dejected (yes, call me chicken).  Just ask me about my experiences sewing in invisible zips because I didn't realise that I had the wrong foot. Yah, that one.

But the thing is that a specialised sewing foot can make your sewing much easier, if you give yourself enough time to experiment with it and learn how to use it without wanting to throw your machine out of the window...  You know, when things go really badly.

It is very easy to get discouraged when sewing isn't going well and you don't know why.  One of the more horrible feelings that could make you feel so wretched that you stop sewing. Let's not do that!

So how can you get to grips with a different foot without feeling like a right fool?


Sewing machine feet come in two different kinds on the main: those you screw on and those that snap on. Your machine will only take one rather than the other.  Make sure that the manufacturer of the foot lists it as suitable for your specific machine model - if you're not sure that you want to spend the money on the genuine part, maybe you can borrow it from a friend or try it out at their place?  It'll give you the best idea of whether it's a good investment. A generic foot may sound good but if it doesn't work then it's wasted money.

But let's say that you have the right foot and you installed it - that alone can take quite a while!  I try to do something unfamiliar only when I have lots of time and there's no pressure.

My very best tip is to check that a) you picked the right machine setting for your purpose, and b) that the machine needle will not hit the foot itself.

To do this safely: hold on to the sewing thread at the back (or use a starter patch) and then move your machine needle by turning the wheel by hand.  If the foot or the setting is wrong then the needle could hit the foot itself on any downward motion that make up the stitch.

Some feet work with a straight stitch and others with a zigzag stitch - that's why it is important to manually move the needle through a whole repeat of the stitch.

Use a test patch of fabric because it is much easier to manoeuvre a small piece.  Check for tips for using your specific foot online and on YouTube - there may be a trick or hint that's not obvious, e.g. that the fabric needs to touch the guide's side of the narrow hem foot when you guide it into the roll-over bit.  A rolled hem foot may behave similarly, please check.

Use your slowest sewing speed if you can adjust it and then play around some. Use a different kind of fabric if your first sample fabric turns out as stubborn and non-userfriendly, see what works for you.  Once you get to grips with another fabric, you can go back to the one you'll want to use.

If the foot isn't doing what you thought it would - there is a chance that it is a different foot or that the fabric needs to lie a different way to feed under the needle. YouTube videos can be particularly helpful for that.

For example a blind hem foot works by catching just a couple of threads of a fabric fold - so the fabric has to lie the right way.  I find it quite counter-intuitive and tend to try it the wrong way round first. Ugh.

The way you pin a seam can make a difference: a narrow hem foot won't work with pins put in perpendicular to the edge, you need to start off with just the one pin placed parallel to the edge, - any additional pins are in the way because you need to hold the fabric to guide it. I think this probably applies to a rolled hem as well.

There is a good article on the Threads website about the narrow foot:

The start of the three page article, and here is the link to all the pages. I think the first link has a bit more information.


What sewing feet have you tried and do you have any advice on how best to use them? Please share!

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Tracing the pattern from a RTW garment

Have you traced the pattern of a ready to wear garment, one you bought in the shops?

It can be a great way to get a sewing pattern because it is a clothing item that you know fits well enough to want another one just like it.  Or at least with as few adjustments as needed. Preferrably the ones you know how to do.

I bought a lovely short-sleeved blouse with intriguing double layer ruffles from a charity shop.  I did realise at the time that I keep going for this very pale blue, chalky looking shade and then end up not wearing it because it makes me look pasty, to be brutally honest.  Do I learn from this and stop buying clothes or knitting yarn this colour?  Heck no, course not.

So it seems that I bought a pattern instead.

It took me a while to start taking this blouse apart.  I saw the great tip of leaving half the blouse intact so I can see how it goes back together - I only need one set of pattern pieces after all.  I'm glad I read that on a helpful blog somewhere, I'm not confident that I would have realised.  Start wielding a seam ripper and I keep on going...

This blouse fits fairly well.  The dart is not quite in the right place and I need to suppress a wedge of fabric in the underarm area, I am optimistic that I know how to adjust the underarm seams as well as the sleeve width. Fingers crossed.

I flattened each piece carefully, straightened what edges need to be straight (e.g. the centre back that will be cut on the fold), and weighed the whole down with my trusty pattern weights.  Also known as glass coasters in another life - I use them with the felt feet pointing up, they work fabulously.

I drew around each piece making sure that the shapes make sense: an armhole needs to look scooped and not jagged, no corner should look too sharp or seamlines lie in an undulating S-shape.  So far so good!  The test will come when I sew this up in a toile fabric.  I haven't got that far yet.

I did add more generous seam allowances because these were very narrow (the blouse was industrially made after all) and I may have to re-do the flounces. These are a circular shape that looks a bit like a Viennese whirl. Mine have an element of squashed doughnut to them, so I may compare to a commercial pattern I have in my collection. Just to sense-check.

I also traced some stretch fabric leggings that I loved but nasty moths had left a gaping hole near the knee, damn them.  I'm delighted that this worked really well too.  The pieces look astoundingly legging-like, just like a commercial pattern!  At least I like to think so.

I ripped apart most seams on one half only.  I ended up with the back piece and also a flat front piece that I left whole even though there is an internal seam that dissects it in a very intriguing style line.  That's the reason why I wanted to trace off this pattern.  I'd be looking for a pattern like it till the cows come home and not find it.

If I had ripped these pieces apart I'd end up with a very thin strip for the side panel. I think it would be very tough to lay this out straight.  A piece as narrow as this would go wonky as soon as you look at it.  Instead I traced the entire front piece, and then started to roll it back gently and marked the internal seam every couple of centimeters. That was a great way to prevent problems.

Have a look at the photo:

I reckon I've done well for not having traced off patterns in a pretty long time.  I haven't yet put these pattern pieces through their paces, but I live in hope that it'll go well too.

You may be able to trace a simple garment off without having to take it apart, as long as you can get each piece to lie flat.  But shapes would get distorted too easily if trying to trace off a complex item with multiple seams like my blouse.  I am lucky, I can't wear either of them so I didn't have to worry about it.

Have you sewn anything from a traced off pattern, how did the whole process work out for you? It would be really useful to hear of people's experiences - always good to learn from others. Please share in the comments!

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Sewing tips - or I love YouTube videos!

Isn't YouTube fantastic for all kinds of things?  It most definitely is extremely useful for the many videos about sewing and dressmaking.  The trick is finding them.

Here is one on Ten Sewing Tips that I think is very good. One of the best 12 minutes you'll spend!

National Sewing Circle's '10 Sewing Tips from the Experts'

You may have come across some of these, but I bet that there is something here that is useful. I know that I had not heard of surgical seam rippers before (they sound kind of dangerous? But they could be quite good for the purposes described) and I thought the tip of how to test whether a sewing maching needle is the right size by threading the loose needle by hand and checking if the needle runs easily along the thread - that tip alone was worth the time watching the clip!

Some of the tips concern the sewing machine, others are general tips. All useful.

I really liked what Ellen March says about reading your sewing machine's manual.  Now if you're like me then your eyes glaze over at the thought of reading through the whole thing when you just bought your machine, or even later on (let's face it: none of us did that when we first got our machines. I know I didn't).  It takes a lot of focus and concentration to follow along - particularly when it is all theoretical at this stage, without an immediate practical use.

I would rather break this up into several sessions and avoid the long slog of a single sitting reading.

My problem is that I tend to forget things that I don't use soon after reading them. That's why my advice is to dip in and out of your manual and for that reason it is a really fantastic idea to designate a permenent place for it near your sewing machine. You'll want to know where it is at all times - it's beyond frustrating to start searching for the damn thing every single time you'll want it.

I learned how to do lapped zips from my manuel. The drawings are very useful and the description tells you what you're looking at. I don't do lapped zips all that often and therefore find it a very good idea to open my manual to remind myself how to place the fabric layers and which bit to fold over or under...

It saves time and energy that I prefer to use for actual sewing.


Having praised this video, I also have a book containing hundreds of sewing tips (by both experts and everyday seamstresses), called: "1,000 Clever Sewing Shortcuts & Tips", by Deepika Prakash from Patternreview.com - it is very good. There is so much material in this book that I have not been able to even get through a tenth of it.  This blog post reminds me of the book. I'll think I'll go and put it with my machine manual!

What are your tips of something useful that you do all the time? Please share!

The clapper - highly recommended sewing gadget

Have you ever heard of the clapper?  Sometimes known as a clapper board? No, not the black thing they use in filming, this is the wooden instrument that helps you put a beautiful finish on your dressmaking project and labour of love.

It produces crisper creases, at hems or along seams where you want them to lie flat and smooth.

The way to use a clapper is to first press a seam or hem with the iron using steam, then press the clapper onto the area that's hot from pressing and either just hold there some seconds for easily creasing fabrics, or press down a bit harder for fabrics that crease less easily. The raw wood of the clapper will absorb moisture and heat and leave the seam or hem cool to the touch - and the material will "remember" to hold this crease.

You can use it on hems, seams like shoulder and collar seams and it works beautifully on darts too.

I wouldn't have thought so myself before trying it, but it does work - the waterfall collar jacket I am making at the moment does look just that bit better than it would without using a clapper.  I am really pleased with the result!

It is made from hardwood, has a handy groove along both longer sides for easy handling:

And one side is narrower than the other:

As with everything, the best gadget does not guarantee an absence of user error - which is what I managed today: I was using my newly purchased clapper with abandon and delight on the seam between sleeve and body - to get the seam to lie that extra bit flatter, which it did...

...then I discovered that I hadn't removed the basting stitch and was therefore producing a crease where I didn't want one. Noooo! Just imagine...

Luckily my Jacquard-type fabric did forgive the rough treatment: with a bit more steam I was able to get the fabric to crease where I wanted it to, and the first crease in the wrong place did come one. Phew! Now that's a relief.

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Press, press and press again

A good press with the iron makes sewing so much better! 

One of the most valuable sewing tips I can give is about pressing your work as you go along.  One caveat: I sew mainly with woven fabric, the need to press may or may not apply to jersey fabrics.

I used to underestimate the difference it would make.  I dismissed the need for pressing and felt it was just a bit too over-the-top, too fussy and pernickety - I wanted to sew!  Which meant that anything that was not about sitting at the sewing machine and putting my foot down (literally, on the foot pedal) didn't feel like 'proper sewing' - it just didn't count in my book.

I used to get incredibly impatient with the need to cut out the fabric, mark it, overlock, baste or pin and when I finally got to the sewing stage I just didn't want to stop for anything.  Getting the iron out?  What for?!

Well, I learned from experience that sewing over unpressed seams produces an end result that I am not happy with. Fabric has this habit of not creasing by itself: it will hold a certain rolled shape at the seam until you press it flat.  If you are really stuck without an iron you could try to use your thumb nail to crease a seam flat enough to be able to sew over it, but it is not ideal.

You will need the iron anyway for attaching interfacing but keep the ironing board out, or you could get an ironing mat you can spread out on a table - quilters use this a lot but their projects start smaller than full-size garments. It is so very much worth the time to set this up because you can wander on over whenever needed. Use it often: if in doubt, press!  Except, perhaps:

...there are areas where pressing is not wanted at some stages of construction: when you make welt button holes or pocket openings you don't want press the welt lips flat because it would distort them before you carry on with further steps. A skirt waist edge that will be understitched to stop the facing or lining rolling up into view should also only be pressed once the understitching is done.  There might be other occasions, let me know if you can think of other elements.

But most of the time a quick press is hugely important for a good result that brings joy as opposed to the frustration of a bodged project: it feels very demotivating to have put all this time and energy into a sewing job and then it doesn't turn out very well.  You're not quite sure what went wrong so you don't even know how to fix it next time.

Pressing seams flat might just make the difference.  Try it!


What are your experiences of using an iron while sewing?  Any mishaps, any tips?

The woosh

I'm not sure why one of the pins sits diagonally? It was supposed to sit straight like the others

Are you a beginner?  Do you want to sew but don't find it easy to get started?  You fire up your machine and begin your first seams, but they could be nicer and better?

Here is a tip aimed at very new sewers: using your sewing machine so you get good results which in turn motivates you to sew more.

I still remember how difficult I found guiding my fabric straight through the machine. I did my best but my stitching line would still wobble from right to left and folds from the fabric would somehow get pulled under the needle and caught up in the stitching  it was driving my bananas.

Here's my tip:

For your fabric to move smoothly through the machine, the two layers of fabric have to run up as flat and even as possible. It all starts off so well but then things go wonky.  To make the fabric lie flat: put your left hand under both layers of fabric (I am attempted to demonstrate this in this photo: try and spot my hidden hand! That's why my thumb is showing) while holding the edge in your right hand (I would love to have three hands available for taking pictures!).  You can make the layers lie flatter by moving your hand up a bit (towards you) and then in a big sideway sweeping motion swoosh it all over to your left. I bit like a 'that's enough' gesture - if that makes sense.

I call that 'The woosh', I guess it's the sound of the fabric moving that makes me think of that.

Moving your material in this way makes sure that the stitching process hasn't dragged your fabric up in folds that will pull another layer into the path of the needle. A really big aside motion will smooth out your fabric the best. I have tried pulling at it from the left, or pushing from the top but neither of these work as well as letting the fabric layers run over your left hand.

Try it out, see what works best for you.

Some dressmakers swear by extension tables: the entire area around the machine's stitching area is flat and that makes it easier to move your fabric as a flat piece (thank you Pia for this tip!)

PS: my other tip about keeping the seam wobble-free: experiment with where you look to check in order to keep your fabric run through evenly. Do you look at your fabric only, or where it moves under the sewing foot? See if changing where you look makes a difference.

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Do you find this a useful tip?  Is this something you already do, do you do this differently? Please let us know in the comments!