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. . . . . . A place to contribute, exchange tips and ideas and find further info on the LDC group on Meetup.

Showing posts with label collar. Show all posts
Showing posts with label collar. Show all posts

Sunday, 12 November 2017

Work on flat pieces first

So you're faithfully following along the sewing instructions of your pattern and then it suddenly becomes incredibly difficult to get your project under the machine's needle so you can work on a really tight area?  It's enough to give you grey hair!

Been there many times and I hate it.  Some commercial sewing pattern instructions seem determined to make things as difficult as possible.  Unfortunately these difficult to sew areas then make your garment look home-made rather than beautifully crafted.

Here's a principle that cuts down on some of those problem areas:  If in doubt work on the flat piece first.

Plackets, zips, pockets - what's the point of closing the long easy-to-do seams first and then do the fiddly bits?  I just don't get why some sewing instructions do this the difficult way around.

You don't need to stick to the order suggested.

Look at what features your garment has: double-ended darts, zip, plackets, pockets, pocket flaps, collar etc, etc? These are really nice sewing exercises (as long as you don't let the instruction sequence make your life more difficult).

Once you've cut out your pieces and overlocked what needs overlocking* - do all darts first before you sew anything else. No side seams, no nothing else. The sewing instructions usually start with this too, so no problem here. (The only exception I can think of is if a dart needs to meet another dart exactly: then it is much easier to close the seam first and sew the two darts as one across the seam. Anything to make life easier!)

*: But sew darts that end in a seam before you overlook the piece: less bulk when you take a single pass with your overlocker over the sewn up dart avoiding three layers of overlocking.

I used to hate having to do zips, now I like them more and more.  Sew them in first!


Don't even close the seam underneath yet (a lot of YouTube videos show it this way too so you're in good company), sew the zip onto both pieces and once you're happy with it close the seam underneath (make sure to off-set this line by a millimeter or so to avoid the pucker at the bottom of the zip).

Same thing for plackets on sleeves: sew them in before you attach the sleeve or close its side seam (a very good placket article on Threads shows it that way too).

Patch pockets: why go to the trouble of working on an almost assembled item when it is so much easier to sew a pocket onto flat fabric. In-seam pocket bags are also easier to do before you close the longer seams: a) attach a single pocket piece to one outer piece and b) the other pocket layer to the other piece - then c) sew the pocket layers to each other, and d) close the seam of the outer garment above and below the pocket opening.

I would attach a collar as soon as the shoulder seam is closed, before any other seam stitching.

Depending on the shape of a sleeve it can be easier to sew the sleevehead to the front and back of the garment before closing the side seams of body and sleeve - this is easier for wider, more relaxed styles. Sleeves that are quite tight and where the sleevehead needs to be eased into the armhole are better done after closing side seams.


Flat pieces are easier to manoeuvre and allow better accuracy. They are also easier to press (best sewing tip ever: press, press, and press again!).

Once you have these kinds of elements done, the rest of the garment is much easier to assemble: nice long seams that pull everything together. After that you are left with things like neckline bindings and hems that need to be done across all closed seams.  Couture houses work this way too: everything is done flat until only the long seams and hems are left over,

What do you think?  Is this useful?

Wednesday, 8 July 2015

Block fusing

Isn't learning to sew just really good fun?

You don't just get to learn how to do things in the general way (and following the instructions in the pattern envelope), - no, you also get to learn how to do the same things even better!  I really love that about it: that you get to figure out as much as you want to.

It is fantastic when you come across something that makes a process easier and more accurate - saving time and nerves. That's my kind of thing!  Particularly when the "old" way led to frustration because it just never turn out that well. Have you ever found that?

The new way of doing something can even turn out to not be quite easy, you just have to know of it: block fusing is one of those things.


Have you had to cut out a collar (x 2 in fabric and once more in interfacing), possibly even on the fold and found that your collar pieces ended up quite wonky?  It is so easy to get the 'on the fold' placement slightly wrong and you end up with a collar that's too tight, too shallow, or does any other kinds of things like sticking up a bit or having one side that's gone off the grainline, or even with a kink down the middle! Horrible. There's too much that can go wrong.

I did get round the 'on the fold' issue by redrawing the full collar pattern piece but it is still so annoyingly fiddly to cut out all three pieces and then iron the interfacing shape to one of the fabric pieces. I've never been really happy with the result doing it this way.

With block fusing you iron a piece of interfacing onto your fabric first and then cut out the lower collar piece out of the fused, stiffened material (plus the upper collar piece without interfacing: you only want one stiffened layer) - it is much more accurate and so much less fiddly nor frustrating!



You want to make sure you use a big enough piece of interfacing by allowing a generous enough margin but still avoid ending up with too much scrap material - I like to cut the interfacing along one long side of the pattern piece and leave enough on the other sides to take account of any slight shifts if your tissue piece moves around a bit.



You fuse your roughly chopped out piece of interfacing to your fabric, and then place the collar pattern piece on it to cut the interfaced layer (make sure you get the fabric grainline right) - you will only need one, so do make sure you cut the other layer from just fabric, without the interfacing.


You will probably find that interfaced fabric has shifted a little and that longer edge you cut earlier may need trimming - but you do get the chance to cut out a very accurate stiffened piece overall.



I have seen this technique presented on at least a couple of blogs, so if you want to know more then these blog posts have lots of photos that you can check out.

What do you think of cutting out interfaced pieces this way?

Please leave some comments below - we would like to know that the blog is getting readers! If you have problems posting, please mention it to me at a meeting.

Tuesday, 4 March 2014

Turn out perfect collar corners

Here is the link to the 'How to turn your collar points so that they're perfect' tutorial that I promised to post at the Sew a Detachable Collar session on Monday 3 March.

The Off The Cuff tutorial

I don't think that you need quite as long a thread as shown here, a bit shorter is fine too. 

While the collar is still inside out and hasn't been turned yet: only the thread loops should be showing outside the whole thing.  If you can see the two ends of thread and the loop is hidden inside the collar layer sandwich, that's the wrong way round (ask me how I know. I've done this wrong on every single collar I sewed up as samples on Sunday. Yes, every single one).

Once you turn the collar out through the gap left in the stitching, you should then gain access to the two loose ends of the thread.  You want to pull at both of them at the same time - just like the tutorial emphasises.

You can apply this trick to every type of garment where you need to turn a corner inside out. You could even use a couple of thread loops on a strong curve to turn that out if you feel it'll be difficult to do, on say the end of a rounded lapel that has no point but a sharp curve?  Or perhaps the end of a fabric tube that you sew shut, that kind of thing.  Those long, thin tubes of fabric are often turned inside out with a plastic gadget that acts a bit like a needle.  Thread loops are as good as that gadget, and definitely much better than a safety pin, which is what I used to use.

I had a problem with cutting into the thread when trimming the corners - you want to make sure to hold the thread loop out of the way when it comes to trimming.  Or insert the thread after sewing with the help of a darning needle, that works very well too!

After turning with the thread loops still attached

Let us know of your experience turning collar points.  Have you tried this technique and what do you think?  Do you do something different, and how are you finding it?  Please let us pick your brain for further insights into other ways of doing this!


Re stitching along the top and outside edges of a collar: I have seen more than one tailor/dressmaker sew off the edge of the fabric and sew each seam of the collar in separate goes.  I am not quite sure how different this is to pivoting at the corner and sewing without cutting the thread.  Does anyone have any insights into this?